Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Fra Filippo Lippi 02

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
32057		Scenes of Carmelite	mk78 Florence,Convent of the Carmine
32058		Scenes ofCarmelite	mk78 Florence,Convent of the Carmine
45416		scenes out of life Johannes of the Taufer the guest meal of the here ode	mk186 around 1460 Prato
59666		Selfportait with pupils	Selfportait with pupils
2568		Seven Saints	1448-50 National Gallery, London
42857		Seven Saints	mk170 1445-1450 Tempera on wood 68x151.5cm
32165		St Alberto fo Trapani	mk78 Prato,cathedral of Santo Stefano, Choir chapel
32138		St Amhony Abbot	mk78 Cleveland Cleveland Museum of Art
32133		St Anthony Abbot	mk78 Florence, Uffizi
32125		St Augustine's Vistion of the Christ	mk78
32122		St Bernard's Vision of the Virgin	mk78 London National Gallery
32159		St Dominic	mk78 London Courtauld Institute Galleries
32097		St Frediano Diverts the Course of the River Serchio	mk78 Florence, Uffizi
52280		St Fredianus Diverts the River Serchio	c. 1438 Tempera on wood, 40 x 235 cm
32164		St Giovanni Gualberto	mk78 Prato,cathedral of Santo Stefano, choir chapel
32082		St Gregory and St Jerome	mk78 Turin, Accademia Alberitna di Belle Albertina di Belle Arti
32137		St Jerome and the Lion	mk78 London, National Gallery
52272		St John Taking Leave of his Parents	1452-65
32134		St John the Baptist	mk78 Florence, Uffizi
32163		St John the Evangelist.	mk78 Prato,cathedral of Santo Stefano,choir chapel
32123		St Lawrence Enthroned with Sts Cosmas and Damian,Other Saints and Donors	mk78 New York Metropolitan Museum of Art.
32162		St Luke Prato,cathedral of Santo Stefano,choir chapel	mk78 vaule compartment
52265		St Luke the Evangelist	c. 1454 Fresco Duomo
32161		St Mark.	mk78
32160		St Matthew.	mk78
32139		St Michael	mk78 Cleveland Cleveland Museum of Art.
32101		St Nicholas Halts an Unjust Execution	mk78 Florence. San Lorenzo
32102		St Nicholas Resurrects Three Murdered Youths	mk78 Florence San Lorenzo
32081		St.Augustine and St Ambrose	mk78 Turin Accademia Albertina di Belle
32096		St.Augustine Perceives the Trinity	mk78 Florence, Uffizi,
32066		St.Catherine of Alexandria and an Evangelist	mk78 Lyons,Musee des Beaux-Arts.
32077		St.Jerome in Penitence	mk78 Altenburg Staatliches Lindenau-Museum
32065		St.John the Evangelist,Princeton	mk78
32099		St.Nicholas Dowers Three Impoverished Maidens with his Inberitance	mk78 Florence, San Lorenzo
32140		Sts Francis,Lawrence,Cosmas or Damian,John the Baptist,Damian or Cosmas,Anthony Abbot and Peter	mk78 Martyr. London, National Gallery
32147		The Adoration of the Infant jesus	mk78 Florence,Uffizi
32149		The Adoration of the Infant Jesus	mk78 Berlin Staatliche Museen Preussischer
32152		The Adoration of the Infant Jesus	mk78 Florence, Uffii.
32153		The Adoration of the Infant Jesus with St George and St Vincent Ferrer	mk78 Prato, Galleria Comunale di Palazzo Pretorio
32145		The Adoration of the Magi	mk78 Washington,National Gallery of Art
2564		The Annunciation	1440 Martelli Chapel, San Lorenzo, Italy
31719		The annunciation	mk76 Painted c.1440 Tempera on panel 25 1/8x9 7/8in
31720		The ANNUNCIATION	mk76 Painted c.1440 Tempera on panel 25 1/8X10IN
32098		The Annunciation	mk78 Florence,San Lorenzo
32112		The Annunciation	mk78 Rome Museo Nazionale at Palazzo
32115		The Annunciation	mk78 Munich Alte Pinakothek
32119		The Annunciation	mk78 Rome Palazzo Doria
32141		The Annunciation	mk78 London National Gallery
32187		The Annunciation	mk78 Spoleto,cathedral of Santa Maria Assunta,
38169		The Annunciation	mk29 c.1440 Tempera on poplar panels
42856		The Annunciation	mk170 1445-1450 Tempera on wood 68.5x152cm
50855		The Annunciation	mk216
51689		The Annunciation	nn09 c.1440 Tempera on wood 69x72in
2566		The Annunciation ttt	1443-45 Pinakothek, Munich
32154		The Annunciation with Donor	mk78 Corsham Court
52264		The Annunciation with two Kneeling Donors	c. 1440 Oil on panel, 155 x 144 cm
55937		The Annunciation with two kneeling donors	mk247 c.1440s,oil on panel,61x56.75 in,155x144 cm,galleria nazionale d arte antica,rome,ltaly
32078		The Annunciation:The Angel	mk78 New York
32079		The Annunciation:The Virgin Annunciate	mk78 New York
32173		The Beheading of St John	mk78 Prato,cathedral of Santo Stefano
32166		The Birth and Infancy of St Stephen	mk78 Prato,cathedral of Santo Stefano,choir chapel
32167		The Birth and Naming of St John the Baptist	mk78 Prato,cathedral of Santo Stefano, choir chapel
32170		The Celebration of the Relics of St Stephen and Part of the Martyrdom of St Stefano	mk78
2562		The Coronation of the Virgin	Galleria degli Uffizi, Florence
32106		The Coronation of the Virgin	mk78 Florence,Uffizi
32110		The Coronation of the Virgin	mk78 Vatican City Pinacoteca Vaticana
32184		The Coronation of the Virgin	mk78 Spoleto,cathedral of Santa Maria Assunta,
32071		The Dead Chris with St Francis and St Jerome.	mk78 Florence,Palazzo del
32073		The Dead Christ Supported by Mary and St.John the Evangelist	mk78 Milan Museo Poldi Pezzoli
32143		The Death of St Jerome.	mk78 Prato, Museo dell'Opera del Duomo
52276		The Doctors of the Church	c. 1437 Panel, 129 x 65 cm
32171		The Feast of Herod	mk78 Prato, cathedral of Santo Stefano choir chapel
33385		The Feast of Herod Salome's Dance	mk86 c.1460-1464 Fresco,width c.880cm Prato,Duomo,Cappella Maggiore
32126		The Infant St Ambrose's Mirache of the Bees	mk78 Berlin, Staatlich Museeen Preussischer Kulturbesitz. Gemaldegalerie
52303		The Intervention of Christ and Mary	Oil on wood, 156,1 x 146,7 cm
32135		The Madonna and Child Enthroned with Stephen,St John the Baptist,Francesco di Marco Datini and Four Buonomini of the Hospital of the Ceppo of Prato	mk78 Prato, Galleria Comunale di Palazzo Pretorio
32155		The Madonna and Child with the Birth of the Virgin and the Meeting of Joachim and Anna	mk78 Florence, Museo Palatino
41982		The Madonna and the Nno enthroned with the holy juan the Baptist, Victor Bernardo and Zenobio	mk166 1486 Tempera on board 355x255cm Uffizi, Florence
32069		The Man of Sorrows	mk78 Verona,Museco di Castelvecchio.
32072		The Man of Sorrows	mk78 Verona, Museo di Castelvecchio.
32172		The Martyrdom of St Stephen	mk78
32124		The Meeting of Joachim and Anna at the Golden Gate	mk78 Oxford Ashmolean Museum
32127		The Miraculous Rescue of St Placidus	mk78 Washington, National Gallery of Art
32169		The Mission of St John the Bapitst	mk78
32168		The Mission of St Stephen	mk78 Prato cathedral of Santo Stefano,Chior chapel
32189		The Murals at Prato and Spoleto	mk78
32075		The Nativity	mk78 Washington, National Gallery of Art.
32076		The Nativity	mk78 Washington, National Gallery of Art.
32191		The Nativity and Adoration of the Shepherds	mk78 Spoleto,cathedral of Santa Maria Assunta,
32087		The Osservanza Master The Birth of the Virgin,with other Scenes of her Life	mk78 Tempera and gold leafon 220x162cm
32183		The Prato Master,St Stephen Preaching to the Pharisees	mk78 c.1443 Fresco Prato,cathedral of Santo Stefano,cappella dell'Asunta
32068		The Rescue of St Placidus and St Benedict's Visit to St Scholastica	mk78 c.1415-20 Tempera on panel complete panel 28.5x52cm London,National Gallery
52270		The Saint-s Funeral	1460 Fresco Duomo
42858		THe Trinity and Four Saints	mk170 1455-1460 Egg tempera and oil on wood 184x181.5cm
32136		The Trinity with Sts Mamas,James the Great,Zeno and Jerome,	mk78 London, National Gallery
38436		The Verkundigung	mk137 ca. 1440 wood chalkboards 175x183cm San Lorenzo, Florence
52268		The Virgin Appears to St Bernard	1447 Wood, 69 x 105 cm
33397		The Vision of St Bernard	mk83 c.1486 Tempera on wood 210x195cm Florence,Badia Fiorentina
2565		Virgin and Child	1440-45 Musee du Louvre, Paris
20017		Virgin and Child Surrounded by Angels with (mk05)	st Frediano and st Augustine(The Barbadori Altarpiece)1437 Wood 82 x 96''(208 x 244 cm)Entered the Louvre in 1814

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Fra Filippo Lippi

Italian 1406-1469 Fra Filippo Lippi Galleries Lippi was born in Florence to Tommaso, a butcher. Both his parents died when he was still a child. Mona Lapaccia, his aunt, took charge of the boy. In 1420 he was registered in the community of the Carmelite friars of the Carmine in Florence, where remained until 1432, taking the Carmelite vows in 1421 when he was sixteen. In his Lives of the Artists, Vasari says: "Instead of studying, he spent all his time scrawling pictures on his own books and those of others," The prior decided to give him the opportunity to learn painting. Eventually Fra Filippo quit the monastery, but it appears he was not released from his vows; in a letter dated 1439 he describes himself as the poorest friar of Florence, charged with the maintenance of six marriageable nieces. In 1452 he was appointed chaplain to the convent of S. Giovannino in Florence, and in 1457 rector (Rettore Commendatario) of S. Quirico in Legania, and made occasional, considerable profits; but his poverty seems chronic, his money being spent, according to one account, in frequent amours. Vasari relates some romantic adventures of Fra Filippo that modern biographers are not inclined to believe. Except through Vasari, nothing is known of his visits to Ancona and Naples, nor of his capture by Barbary pirates and enslavement in Barbary, where his skill in portrait-sketching helped to release him. From 1431 to 1437 his career is not accounted for. Portrait of a Man and Woman at a Casement , c. 1440 Metropolitan Museum of Art, New York City.In June 1456 Fra Filippo is recorded as living in Prato (near Florence) to paint frescoes in the choir of the cathedral. In 1458, while engaged in this work, he set about painting a picture for the convent chapel of S. Margherita of Prato, where he met Lucrezia Buti, the beautiful daughter of a Florentine, Francesco Buti; she was either a novice or a young lady placed under the nuns' guardianship. Lippi asked that she might be permitted to sit for the figure of the Madonna (or perhaps S. Margherita). Under that pretext, Lippi engaged in sexual relations with her, abducted her to his own house, and kept her there despite the nuns' efforts to reclaim her. The result was their son Filippino Lippi, who became a painter no less famous than his father. Such is Vasari's narrative, published less than a century after the alleged events; it is not refuted by saying, more than three centuries later, that perhaps Lippo had nothing to do with any such Lucrezia, and perhaps Lippino was his adopted son, or only an ordinary relative and scholar. The argument that two reputed portraits of Lucrezia in paintings by Lippo are not alike, one as a Madonna in a very fine picture in the Pitti gallery, and the other in the same character in a Nativity in the Louvre, comes to very little; and it is reduced to nothing when the disputant adds that the Louvre painting is probably not done by Lippi at all[clarification needed]. Besides, it appears more likely that not the Madonna in the Louvre but a S. Margaret in a picture now in the Gallery of Prato is the original portrait (according to tradition) of Lucrezia Buti. The frescoes in the choir of Prato cathedral, which depict the stories of St John the Baptist and St Stephen on the two main facing walls, are considered Fra Filippo's most important and monumental works, particularly the figure of Salome dancing, which has clear affinities with later works by Sandro Botticelli, his pupil, and Filippino Lippi, his son, as well as the scene showing the ceremonial mourning over Stephen's corpse. This latter is believed to contain a portrait of the painter, but there are various opinions as to which is the exact figure. On the end wall of the choir are S. Giovanni Gualberto and S. Alberto, while the vault has monumental representations of the four evangelists. The close of Lippi's life was spent at Spoleto, where he had been commissioned to paint, for the apse of the cathedral, scenes from the life of the Virgin. In the semidome of the apse is Christ crowning the Madonna, with angels, sibyls and prophets. This series, which is not wholly equal to the one at Prato, was completed by Fra Diamante after Lippi's death. That Lippi died in Spoleto, on or about the 8th of October 1469, is a fact; the mode of his death is a matter of dispute. It has been said that the pope granted Lippi a dispensation for marrying Lucrezia, but before the permission arrived, Lippi had been poisoned by the indignant relatives of either Lucrezia herself or some lady who had replaced her in the inconstant painter's affections. This is now generally regarded as a fable, and indeed, a vendetta upon a man aged sixty-three for a seduction committed at the age of fifty-two seems hardly plausible. Fra Filippo lies buried in Spoleto, with a monument erected to him by Lorenzo the Magnificent; he had always been zealously patronized by the Medici family, beginning with Cosimo de Medici. Francesco di Pesello (called Pesellino) and Sandro Botticelli were among his most distinguished pupils. The altarpiece Lippi painted in 1441 for the nuns of S. Ambrogio is now a prominent attraction in the Academy of Florence, and was celebrated in Browning's well-known poem. It represents the coronation of the Virgin among angels and saints, including many Bernardine monks. One of these, placed to the right, is a half-length portrait of Lippo, pointed out by the inscription perfecit opus upon an angel's scroll. The price paid for this work in 1447 was 1200 Florentine lire, which seems surprisingly large. Selfportait with pupilsFor Germiniano Inghirami of Prato he painted the Death of St. Bernard. His principal altarpiece in this city is a Nativity in the refectory of S. Domenico ?? the Infant on the ground adored by the Virgin and Joseph, between Saints George and Dominic, in a rocky landscape, with the shepherds playing and six angels in the sky. In the Uffizi is a fine Virgin adoring the infant Christ, who is held by two angels; in the National Gallery, London, a Vision of St Bernard. The picture of the Virgin and Infant with an Angel, in this same gallery, also ascribed to Lippi, is disputable. Filippo Lippi died in 1469 while working on the frescos Storie della Vergine (Scenes of the life of the Virgin Mary, 1467 - 1469) in the apse of the Spoleto Cathedral. The Frescos show the Annunciation, the Funeral, the Adoration of the Child and the Coronation of the Virgin. A group of bystanders at the Funeral includes a self-portrait of Lippi together with his son Fillipino and his helpers Fra Diamante and Pier Matteo d'Amelia. Lippi was buried on the right side of the transept. The frescos were completed by Filippino Lippi, who also designed the funerary monument for his father. Although it was commissioned by Lorenzo de Medici it was not actually made until 1490 by an unknown Florentine sculptor.

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